Loudspeakers: new materials in acoustics

5 min read Original article ↗

Today there are many mod­els of loud­speak­ers, pro­duced in dif­fer­ent sizes. These mod­els gen­er­ally use the clas­sic meth­od intro­duced by Wern­er von Siemens, founder of Siemens, in the 19th Cen­tury. This meth­od con­sists of coup­ling a mag­net with the move­ment of a cop­per coil to vibrate a cone-shaped membrane. 

These first two ele­ments are already heavy, space-con­sum­ing, and expens­ive to pro­duce. But they could well be replaced, in addi­tion to the cone-shaped mem­brane, by a simple dielec­tric elast­omer mem­brane, and some sci­entif­ic magic.

Elast­omer, more com­monly known as rub­ber, is an extremely flex­ible mater­i­al. Its dielec­tric prop­er­ties means that this new mem­brane con­ducts very little elec­tric­al cur­rent. By adding a con­duct­ive grease (form­ing an elec­trode) to each side of the mem­brane, a trans­mit­ted elec­tric­al sig­nal will cause the flex­ible mater­i­al to react, caus­ing the vibra­tions neces­sary to send sound waves.

Dia­gram of the oper­a­tion of a loud­speak­er using a dielec­tric elast­omer mem­brane1.

This meth­od could make it pos­sible to cre­ate a new gen­er­a­tion of loud­speak­ers. Corinne Rouby, a lec­turer in mech­an­ics at ENSTA Par­is (IP Par­is), co-dir­ec­ted Emil Gar­nell’s thes­is with Olivi­er Doaré, a pro­fess­or in mech­an­ics, aimed at optim­ising this new tech­nique23.  

Improving the materials used

“To pro­duce a per­fect loud­speak­er, three cri­ter­ia must be met: effi­ciency, spec­tral bal­ance, and lin­ear­ity,” explains Olivi­er Doaré. The aim is to emit as much acous­tic energy as pos­sible with as little elec­tric­al energy as pos­sible (effi­ciency). It is also neces­sary to repro­duce the trans­mit­ted elec­tric­al sig­nal as faith­fully as pos­sible in the form of an acous­tic wave (spec­tral bal­ance). And this is true regard­less of the desired sound power (lin­ear­ity).

To pro­duce a per­fect loud­speak­er, three cri­ter­ia must be respec­ted: effi­ciency, spec­tral bal­ance, and linearity.

Espe­cially since the role of loud­speak­ers is not neces­sar­ily to emit the loudest sound, but rather to remain faith­ful to the sound it reflects. The choice of a dielec­tric elast­omer mem­brane could not only light­en the object, but also pro­duce a sound that is just as cor­rect, if a few con­di­tions are met. All this, through a much less expens­ive production.

“Research interest in dielec­tric elast­omers has been grow­ing since the 2000s4,” states Corinne Rouby. “But the applic­a­tions were not dir­ectly linked to loud­speak­ers.” How­ever, the char­ac­ter­ist­ics of this type of mater­i­al quickly placed it in the acous­tic domain. “Con­ven­tion­al loud­speak­ers are heavy and quite expens­ive to pro­duce. This is due to the use of mag­nets, which are not neces­sary,” she says.

The idea of the dielec­tric elast­omer mem­brane could there­fore replace both the coil and the mag­net. Light­er in weight, this new design looks prom­ising for the loud­speak­er industry, but is still in an exper­i­ment­al phase. “This thes­is, although com­pleted, is still inten­ded to enrich the research,” explains the research­er. The next step is in the hands of a post-doc­tor­al chem­ist whose object­ive is to improve the coup­ling between the vari­ous materials. 

Constraints to overcome 

This type of loud­speak­er is still only at the exper­i­ment­al stage, and its indus­tri­al­isa­tion will not be for tomor­row. The res­ults are prom­ising enough to mer­it fur­ther invest­ig­a­tion, but they do reveal sev­er­al con­straints that still need to be overcome.

“First, the elast­omer mem­brane is flex­ible, but also very fra­gile. Too much voltage can cause an elec­tric arc and make the mem­brane unus­able,” explains Corinne Rouby. This is par­tic­u­larly true for low fre­quen­cies, which require a lot of energy to trans­mit, and which lead to great­er move­ments that make the mem­brane more fragile. 

For this new type of loud­speak­er, the research­ers worked on the shape to be giv­en to the elec­trodes (through the con­duct­ive grease), to pro­duce any type of fre­quency. “Each mode of vibra­tion can cause res­on­ances in the object,” explains the research­er. It is there­fore neces­sary to con­trol them so that the speak­er does not favour cer­tain fre­quen­cies5. Fre­quency bal­ance can also be achieved by fil­ter­ing the elec­tric­al sig­nal sent to the loud­speak­er6.

A major con­straint was also iden­ti­fied: “in the labor­at­ory, our loud­speak­er was accom­pan­ied by a pres­sure con­trol­ler that made it pos­sible to man­age the vari­ous leaks with­in the cav­ity. To ima­gine such a mech­an­ism in a liv­ing room is not yet pos­sible,” she con­cedes. Although this her­met­ic prob­lem is real, it is a tech­nic­al con­straint that Corinne Rouby does not con­sider insurmountable.

Once these obstacles have been over­come, this type of loud­speak­er can be massively indus­tri­al­ised. Less expens­ive and light­er, its applic­a­tions can be dreamed of. Olivi­er Doaré, co-dir­ect­or of this thes­is, is cur­rently work­ing on a sim­il­ar sys­tem for head­phones. By using mem­branes, this time piezo­elec­tric, this sci­entif­ic advance could soon be in our ears. 

Pablo Andres