望明月 Moongazing

11 min read Original article ↗
Gold line drawing on indigo: small survey rovers mark the hub, module footprints and service roads on bare regolith, under the caption SITE SURVEY · RIDGE 89.5° S · SUN 0–1.5°.
2:02 · Surveying the south-polar site before construction

01A ridge in near-constant sunlight

Planned2:02

SITE SURVEY · RIDGE 89.5° S · SUN 0–1.5°

The base stands on the ridge joining the craters Shackleton and de Gerlache. The Sun circles the horizon once every 29.5 days without ever climbing, so in the film its bearing turns 12.19° a day and its height stays near 1.2°: a 20 m mast throws a 950 m shadow.

This ridge is some of the best-lit ground near the pole. Over a 19-year simulation, Gläser et al. found spots on it in sunlight 92.3% of the time at 2 m above the ground, and 95.66% at 10 m. Seen from Shackleton’s rim, the Sun “glides around the horizon” (NASA SVS), while nearby permanently shadowed crater floors stay at only tens of kelvin.

Both real programmes target the south polar region: NASA’s Moon Base plan builds toward a permanent outpost from 2032, and the China-led International Lunar Research Station plans a basic model there by 2035 (Xinhua).

Gold line drawing on indigo: two tall masts carry upright rectangular solar arrays above the surveyed module footprints, with small rovers at their feet and long shadows across the ground.
2:03 · Solar arrays raised above the polar shadows

02Solar panels on masts that turn with the Sun

Tested on Earth2:03

SOLAR MASTS · 20 M · TRACKING THE SUN AROUND THE HORIZON

The panels stand upright, from 10.5 m to 19.5 m above the ground, and turn once a month to follow a Sun that never rises.

NASA’s Vertical Solar Array Technology programme puts arrays on masts to clear the shadows of polar terrain. Its reference design asks for at least 10 kW with the bottom of the array at least 10 m up (NASA Langley). Prototypes from Honeybee and Astrobotic went through vacuum tests at Johnson Space Center in 2024 (NASA).

Night on the Moon with all 21 station lights on: a lit glass cupola, glowing tunnel portholes and hatch lamps among the regolith-covered modules, with tall solar masts and hard pools of lamplight on the ground; the counter reads LIGHTS 21 / 21.
2:25 · The finished modules, sheltered under regolith · all 21 station lights on

03Modules buried under printed regolith

Tested on EarthPlanned2:04

PRESSURE VESSELS LANDED · 4 MODULES  →  REGOLITH PRINTER · SHIELD SHELL 2.5 M · ONE 0.6 M COURSE A DAY

The pressure vessels land first; then a gantry prints a 2.5 m shell of Moon soil over each one, a course a day, against radiation and micrometeoroids.

That is the order of a 2013 study by ESA and Foster + Partners: a dome printed from regolith over a pressurised inflatable, with cellular walls. The team printed a 1.5 tonne demonstration block on Earth from simulated regolith with added binders (ESA). NASA’s $57.2 million contract with ICON, running to 2028, is to develop a system that builds “landing pads, habitats, and roads” from local material (NASA).

Gold line drawing on indigo: a small cylindrical reactor and its fan of twelve upright radiator panels stand behind a long shielding berm, with an engineer beside the panels.
2:07 · Adaeze opens the reactor’s radiator before startup

04A small nuclear reactor, a kilometre out

Planned2:07

FISSION SURFACE POWER · 100 kWe · PRE-CRITICAL  ·  ADAEZE OKAFOR · 1.0 KM OUT · RADIATOR, 12 PANELS

The sunlight runs out in polar winter and in crater shadow. A reactor does not. An engineer opens its radiator before it has ever been switched on, which is why she can stand beside it.

In 2025 NASA asked industry for a lunar reactor giving “at least 100 kilowatts of electrical power” through a closed Brayton cycle, on the Moon by early fiscal 2030 (NASA Glenn).

Gold line drawing on indigo: a small laser rover circles a round landing pad, leaving concentric dark passes of fused regolith inside its raised rim.
2:10 · A rover sinters the landing pad, one circular pass at a time

05A landing pad melted into glass, and a lander parked 2 km away

Tested on EarthOn the Moon2:06

CREW LANDER DOWN · BARE REGOLITH, 2.0 KM EAST  ·  LANDING PAD · ⌀ 50 M · LASER-SINTERED REGOLITH

A rocket landing on bare ground blasts dust and gravel outward like shot. So the first crew land 2 km out, and a rover then circles the pad site once a day, fusing one more dark, glassy pass.

ESA’s PAVER project melted simulated regolith into paving with a 12 kW laser on Earth; its lunar concept would use concentrated sunlight. Apollo 12’s landing beside the Surveyor III probe showed what ejecta does to nearby hardware (Metzger et al.), and in March 2025 NASA’s SCALPSS cameras on Blue Ghost filmed a plume striking the surface (NASA). The 2 km is the film’s choice, not a validated safe distance.

Gloved hands turn a brass valve wheel beside a pressure gauge and a row of gas cylinders, in front of a large insulated furnace, drawn in gold line and paint on indigo.
2:13 · Claire at the oxygen plant

06Breathing air made from rock

Tested on Earth2:13

CLAIRE SHEN · ISRU · MOLTEN REGOLITH ELECTROLYSIS  ·  1,600 °C · 3.6 kA · O₂ 1.0 kg/h

Claire’s job is the plant that melts Moon soil and passes a current through it: oxygen comes off, and an iron–silicon alloy collects as metal. By the production’s own arithmetic, most of that oxygen is meant as rocket oxidizer for the ride home, not air to breathe.

Laboratory cells run “near 1600 C” (Sibille, Sadoway et al.). An MIT model sizes a 56.5 kW plant making 10,000 kg of oxygen a year, 1.14 kg an hour (Schreiner, 2015). Each O₂ molecule takes four electrons, so 1.0 kg/h needs 3,350 A; the film’s 3.6 kA means 93% current efficiency.

The real thing is smaller so far. In late 2024 NASA Kennedy and Lunar Resources ran the LR-1 reactor in a vacuum chamber on 25 kg of simulant, electrolysing for nine hours at an average 0.07 kg of oxygen an hour (Toro Medina et al.). The film imagines about fourteen times that rate, all year.

Ink and wash on black: an astronaut kneels beside a tall drill on a braced tripod frame in a dark crater, lit by a work lamp, a small wheeled rover with panel ears behind, sample canisters lined up in front.
2:11 · Arjun at the drill in a shadowed crater

07Drilling for ice in the dark

On the Moon2:11

ARJUN RAMAN · PSR · BITE 07 · 0.70 m · H₂O 3.1 wt%

In a crater that never sees the Sun, the drill brings up its seventh 10 cm “bite”. It stands on its own braced frame, because on the Moon the 70 kg rover weighs only 113 N.

It is drawn after TRIDENT, Honeybee Robotics’ 1 m drill, which works in 10 cm bites and lifts each to the surface as a cone of cuttings (Zacny et al.). TRIDENT reached the Moon on NASA’s PRIME-1 in March 2025; the lander came to rest on its side, and the drill ran through its motions without reaching the ground (NASA). Nobody has yet drilled ice out of a shadowed lunar crater.

LCROSS’s 2009 impact into the crater Cabeus gave a local estimate of 5.6 ± 2.9% water by mass (Colaprete et al.). The film’s 3.1% is an invented reading within that range.

A botanist reaches through a glovebox port toward small rosettes growing in clear dishes of grey soil, drawn in gold line on indigo.
2:15 · Lúcia’s first rosette

08A plant in Moon soil

Tested on EarthOn the Moon2:15

LÚCIA FERREIRA · ARABIDOPSIS IN LUNAR REGOLITH · FIRST ROSETTE

In 2022 University of Florida scientists grew Arabidopsis on Earth in regolith from Apollo 11, 12 and 17, about a gram to a well, with water and nutrients added. Nearly all the seeds sprouted; the plants grew smaller and slower than the controls (Paul, Elardo and Ferl). In January 2019 a cotton seed sprouted on the Moon itself, in a sealed experiment aboard Chang’e-4 with soil brought from Earth (Xie et al.). NASA’s LEAF experiment, selected in 2024, is to grow plants on the lunar surface (NASA).

A plant in lunar soil, on the Moon, is the film’s step beyond both. At 3:14 Lúcia gives her grandmother seeds that have been to the Moon and back, as Stuart Roosa carried hundreds of tree seeds around the Moon on Apollo 14 (NASA).

Ink on black: a small rover unrolls long gold ribbons of film antenna across the dark floor of a crater beneath its rim.
2:16 · Kenji’s radio array on the crater floor

09A radio telescope in the quiet

Planned2:16

KENJI MORI · FILM-DIPOLE ARRAY · 4 × 100 M · 1–50 MHz  ·  NO SUN · NO EARTH · THE QUIETEST SKY IN REACH

A rover unrolls four 100 m antennas of thin film on the floor of Shackleton, where the crater walls hide both the Sun and the Earth’s radio noise.

Low-frequency radio astronomy wants the Moon for its silence. LuSEE-Night, built to ride Firefly’s Blue Ghost Mission 2 to the far side, is to listen for the signal of the cosmic Dark Ages (Brookhaven). Shackleton itself has been proposed too: RadioLuna, an array on the crater floor (Eubanks and Blase). The film’s antenna layout and band are invented.

Ink and wash on white: the legs of a spacesuited figure in mid-stride across the grey regolith, a spray of dust grains flying from the rear boot, footprints behind.
2:18 · Every grain flies its own arc

10Dust with no air to hold it

Physics2:18

1.62 m/s² · NO AIR · NO CLOUD

A crew member lopes across the regolith. Each grain of dust leaving her boot is integrated under lunar gravity (1.62 m/s²) with no drag: it flies a clean arc, lands and stops. No cloud hangs behind her.

The same rule lights the station. When the lamps come on one by one at 2:21, they show only as hard-edged pools on the ground. With no air, nothing glows around a lamp.

Detail of the film's artwork: a white Yutu rover with four wheel-legs, two upright solar-panel ears, a work lamp and a small trailer, connected to the drill by a yellow cable on the crater floor.
2:11 · Yutu beside the drill · detail from the film’s artwork

11The Moon rabbits

On the Moon

The base’s small rovers are called Yutu 玉兔, after the rabbit in the Moon of the old story and China’s two real rovers. Yutu-2 landed with Chang’e-4 on the far side in January 2019 and became the longest-lived rover on the Moon (Wikipedia).

The film’s Yutu has wheel-legs and two solar panels for ears. It surveys the site (2:02), runs the reactor’s cable (2:08), stands by at the drill (2:11) and unrolls the radio antennas (2:16).

Ink on black: an astronaut carrying a case walks along a grey ridge toward a lander, with a small Earth hanging low in the black sky and the brushed characters 低头思故 at left.
1:53 · 低头思故乡: the Earth from the south pole on 10 September 2037

12The Earth, as it really hangs in that sky

Physics1:532:55

No image model paints the Earth. The renderer draws it as a sphere from NASA’s Blue Marble day maps and Black Marble night lights, with its phase, its tilt and the face it shows taken from JPL Horizons for a real date and the base’s real position.

It is small: about two degrees across, nearly four Moons wide in our sky, and still only a thumb at arm’s length. It hangs upside down: from the south pole the Earth appears “upside-down and rotating backwards” (NASA SVS), and the film does not turn it to look familiar. It stays low, bobbing a few degrees above and below one stretch of horizon, which is why the comms tower’s dish (2:05) points almost flat. Its phase is the opposite of the Moon’s: at 2:38 a flight controller sends up his family’s thin crescent Moon, and Claire answers with the Earth she sees that night, nearly full.

Split-screen call between Earth and the Moon: a father and two children gather at a laptop in their warm-lit home, while Claire sits at the Moonbase table watching them on a tablet; a gold signal line crosses between the two halves.
2:37 · The call home, with the signal crossing between Earth and Moon

13Calling home, 1.28 seconds away

Physics1:372:36

HOUSTON · SIGNAL +1.3 S  ·  RTT 3.1 s (light 2.6)

The Moon is 384,400 km away on average, 1.28 seconds at the speed of light. During the descent Mission Control watches an altitude that is already 1.3 s old. In the call home, the words cross the split screen as a gold line that takes 1.28 s to arrive; the counter’s extra half second is the production’s allowance for relays and encoding.

Mission Control is staged after the night Curiosity landed on Mars in 2012, when the team scripted its first words because the microphones were live: “Tango Delta nominal”, then “Touchdown confirmed” (JPL). The film’s calls are TOUCHDOWN CONFIRMED and, at splashdown, CREW SAFE.

Film still in gold line and paint on indigo: Andriy raises a clenched fist in celebration beside a screen showing the capsule docked to the lunar lander under CAPTURE; another controller raises both arms at a console below.
1:35 · Capture: Andriy celebrates the lunar orbit rendezvous

14Getting there: a capsule, a lander, and a rendezvous from 1929

Tested on Earth1:151:35

MAX-Q · 3.2 G  ·  TLI COMPLETE · 10.9 KM/S  ·  CAPTURE  ·  LUNAR ORBIT RENDEZVOUS · KONDRATYUK · POLTAVA · 1929

The rocket is a core with two boosters, and the capsule’s escape tower sits directly on it with no fairing, as on China’s Mengzhou, whose escape system was tested at maximum dynamic pressure in February 2026 (Xinhua). China’s programme is building the same three pieces the film uses, a heavy rocket, a capsule and a separate lander, for a landing by 2030 (CASC).

The capsule never lands on the Moon. It meets a lander waiting in lunar orbit, and when the two latch the screen credits Yuri Kondratyuk of Poltava, an early pioneer who in 1929 wrote down the idea of a ship that stays in orbit while a small lander goes down and comes back to it (Linda Hall Library).

The crew trained the way real crews do: NASA’s 12 m pool (NASA), 22-second parabolas of weightlessness (ESA), and the basalt fields of Iceland, where the Artemis II crew trained in 2024 (CSA).