Selected score
Loading selected song…
The symbolic score
Original score recording
Interactive ABC score Red notes follow the score recording.
Listen to a song, then explore the melody, rhythm, and chords in its symbolic plan.
Selected score
The symbolic score
Interactive ABC score Red notes follow the score recording.
A familiar song can take a different shape. Listen to changes in melody, lyrics, tempo, and arrangement.
A song takes shape through a conversation. Loading the editing story…
The listening selection, gathered across genres and languages.
YuE2 (best-of-8) reaches 6.9632 on SongBench, the highest observed mean among 17 evaluated settings on WildSongBench (192 prompts). Suno v5 scores 6.8721 in the same comparison. Suno v6 and Suno v6 Wild score 6.5562 and 6.4195, respectively.
Model architecture
WildSongBench192 prompts
WildSongBench. 192 prompts, 17 system settings, and the paper’s nine automatic metrics. SongBench averages all seven dimensions; SongEval averages all five. Musicality is also reported separately for each evaluator. Both YuE2 settings use melody-and-chord symbolic planning.
Selection. YuE2, the public baselines, and Suno v6 and v6 Wild use two candidates and four ASR repeats per candidate, followed by lower-PER selection. Earlier proprietary outputs retain their delivered-candidate protocols. YuE2 best-of-8 selects from eight generations using SongBench Musicality, then Q3O Control, then PER. The comparison therefore retains different selection budgets.
MERT2 · Music representations
MERT2-30s achieves SOTA on 14 of 15 MARBLE metrics against the listed external baselines. MERT2-FS (full-song) exceeds those baselines on 13 of 15 metrics.
Counts compare each MERT2 encoder separately against the strongest of the nine external baselines for each metric; the two MERT2 encoders are not counted as baselines for each other. Both encoders have 632M parameters. MERT2-30s uses 30-second training clips; MERT2-FS continues pretraining on complete recordings lasting 30–360 seconds. These benchmarks evaluate bidirectional representations, not the causal tokenizer. MERT2 reports the best observed results across representations; each ROC-AUC / AP pair uses the same representation.
Baseline scores follow Tables III and V of the published comparison. Naming note: the authors renamed PupuJEPA to PupuM2D after the paper’s initial release; we retain PupuJEPA.
SheetSage2 · Audio to score
SheetSage2 achieves SOTA on 12 of 15 benchmark metrics in the displayed comparison, with one autoregressive model (SheetSage2-AR) for beat, downbeat, key, chord, structure, and melody transcription.
SOTA counts refer to the leading scores against SheetSage1, Madmom, and the task-specific systems in this comparison. SheetSage2-AR uses one model selected by validation loss. Beat This! scores average three released training seeds. Melody F1 measures pitch-class notes with a 50-ms onset tolerance and no offset matching; structure F1 measures section boundaries at the stated tolerance.
On Chords1217, ChordFormer uses one held-out fold model per track; its per-track recall is weighted by reference span to match the other models’ scoring protocol. SheetSage1 and SheetSage2-AR each evaluate one fixed model on all 1,217 tracks. Madmom’s chord training data include Chords1217. JAAH includes all 113 recordings, with references intersected with each audio span. Rock Corpus reports the mean over all 200 recordings, including six empty references scored as zero.
Our models are trained primarily on CC0 music and synthetic data. Tokenwave.AI provides most of our synthetic training data under license. We are committed to the ethical and responsible use of data.
If you use YuE2, MERT2, SheetSage2, or WildSongBench, please cite our paper on arXiv (PDF).
@article{yuan2026yue2,
title = {{YuE2}: Unifying Symbolic and Audio Music Generation at Frontier Quality},
author = {Yuan, Ruibin and Pan, Jiahao and Jiang, Junyan and Wu, Zhiyue and Zhou, Ziya and Sun, Jiankai and Li, Yizhi and Zhang, Ge and Gu, Yicheng and Tian, Zeyue and Dai, Junyu and Lin, Hanfeng and Li, Kai and Wu, Shangda and Liu, Xuanjie and Wang, Jiaming and Liu, Zihan and Wang, Yue and Ma, Yinghao and Yin, Hanzhi and Chen, Kangrui and Zhang, Xinyue and Ma, Ziyang and Liao, Mengqi and Zhao, Hejia and Huang, Guowei and Yan, Chao and Ke, Lei and Yu, Jianwei and Liu, Bei and Guo, Joe and Xue, Liumeng and Xia, Gus and Xue, Wei and Guo, Yike},
journal = {arXiv preprint arXiv:2609.33757},
year = {2026},
eprint = {2609.33757},
archivePrefix = {arXiv},
primaryClass = {eess.AS},
url = {https://arxiv.org/abs/2609.33757}
}