The restriction that limits video recording in digitial cameras to 30 minutes could be abolished if the World Trade Organization’s Information Technology Agreement (ITA) is expanded. Several countries, including the USA, have begun informal talks to extend the scope of the ITA to include products that are currently subject to tariffs and duty. At present, digital cameras’ video cuts off after 30 minutes to avoid them being classified as video cameras (which attract 5.4% duty because they are considered to be video recorders). If the video cameras are added to the ITA, this distinction would no longer matter. (via Nikkei)
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The restriction that limits video recording in digitial cameras to 30 minutes could be abolished if the World Trade Organization’s Information Technology Agreement (ITA) is expanded. Several countries, including the USA, have begun informal talks to extend the scope of the ITA to include products that are currently subject to tariffs and duty. At present, digital cameras’ video cuts off after 30 minutes to avoid them being classified as video cameras (which attract 5.4% duty because they are considered to be video recorders). If the video cameras are added to the ITA, this distinction would no longer matter. (via Nikkei )
Getting changes made at WTO can be a slow and highly politicized process, but a proposal to the ITA Committee to discuss the issue has been broadly welcomed .
Removing duty on video cameras would allow manufacturers to remove the 29 minute, 59 second limit currently applied to digital cameras. However other limitations, such as the 4Gb limit for single files imposed by the FAT 32 file system used by most cameras, or concerns about circuitry overheating will remain.
About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.
