Cave paintings change ideas about the origin of art

2 min read Original article ↗

The Sulawesian and Spanish paintings look very similar, and they are both about the same age.

For decades, the only evidence of ancient cave art was in Spain and southern France, external. It led some to believe that the creative explosion that led to the art and science we know today began in Europe.

But the discovery of paintings of a similar age in Indonesia shatters this view, according to Prof Chris Stringer of the Natural History Museum in London.

"It is a really important find; it enables us to get away from this Euro-centric view of a creative explosion that was special to Europe and did not develop in other parts of the world until much later," he said.

The discovery of 40,000-year-old cave paintings at opposite ends of the globe suggests that the ability to create representational art had its origins further back in time in Africa, before modern humans spread across the rest of the world.

"That's kind of my gut feeling," says Prof Stringer. "The basis for this art was there 60,000 years ago; it may even have been there in Africa before 60,000 years ago and it spread with modern humans".

Dr Adam Brumm, who is the co-leader of the Sulawesi research, believes many well-known sites in Asia, and as far away as Australia, contain art that is extremely old but which has not yet been accurately dated.

"If Sulawesi is anything to go by, where cave art was first recorded over half a century ago but was assumed to be young, a crucial part of the human story could be right under our noses" he said.

Dr Muhammad Ramli, an archaeologist working with the Makassar branch of Indonesia's Preservation for Heritage Office, said that the Sulawesian paintings in Maros were being eroded by the pollution coming from an upsurge in local industrial activities.

"In the beginning of the 1980s, there were a lot of cave paintings on this site in the form of hand stencils, as you can see right now. Presently, a lot has been damaged.

"There is a strong necessity to conduct conservation studies in order to find the best way of preserving these sites so that the paintings may last," he told BBC News.