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OMN: Scripting the whole language of traditional staff notation

opusmodus.com

46 points by geoffroy 10 years ago · 12 comments

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z3ugma 10 years ago

Also worth a look is Lilypond http://www.lilypond.org/.

a-nikolaev 10 years ago

Just a sidenote that the Opusmodus software is not open source, not free, and works only on Mac.

kregasaurusrex 10 years ago

What information does OMN contained that isn't preserved in sheet music already? I was looking at OCR tools a few months back and found OpenOMR which expresses the MIDI instruction with all of these properties.

byteCoder 10 years ago

Looking at their score example at the bottom of the page, the right-hand score is defined as a separate entity from the left-hand score. As a result, to the OMN notation reader, it's hard to see the inherent synchrony between the two hands. This would be a bitch to debug and compose (i.e., code) without its display on a standard staff, which would show the time-ordered parallelism directly.

knz42 10 years ago

There's a conceptual issue with the language and a missing example: what of chords where one part of the chord is pressed longer than another? Or when one part must be staccato and another not?

I can't seem to see how this is expressed with OMN.

DanielBMarkham 10 years ago

It would be easy enough to write a parser for this.

Interesting that they see it as a way to freeform new compositional ideas.

Over the years I've tried a huge selection of music composition software. I've yet to find something that's both easy and composable. It may be, just like the CLI/GUI discussion -- plain text may win out over a lot of mousing around and clicking.

djfm 10 years ago

Very cool! Looking forward to experiment with it. In the same spirit but less advanced (my "language" has bugs, I know) I wrote this toy project: http://sound-of-ascii.herokuapp.com/. There's a demo and you can play around with it.

saljam 10 years ago

Does this have notation for quarter tones? I can't find that on their website.

That's always been a pain point for me. No quarter tone notation rules out a lot, including most of Arabic and Turkish, and much of Greek maqam music.

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